by Lisa Larrabee
I was given some advice from an amazing still life painter, Scott Fraser. He told me that I needed to paint from life. It was the most obvious, yet necessary advice. After seeing his paintings in person, I already knew that was exactly what I needed to do. The richness in his work comes from observing what is in front of him without the limitations of the camera. This is something I have known, yet I have found too many reasons not to follow this advice (limited time, limited space, expediency...). I came home and saw my work with fresh eyes. Eyes that saw the limitations of working from photography alone. So, here is my goal. I will be giving myself assignments. I know where I want my work to go and I have a good idea of what it takes to get there -time and hard work. Drawing and painting what I see without shortcuts. The bottom line is that there is no such thing as a short cut when it comes to developing as an artist.
In the early stages, I experimented with a different way for me to block in the shapes. I started on white, brushed on a thinned layer of transparent earth red and began wiping out highlights and pushing darks. It was important to me that the shapes were accurate. I used a view-finder to help keep the shape relationships correct.
After the under-painting was dry, I began adding color. I tried to keep translucent colors in my darks and build opacity in the lights. At this stage, I hated the painting and wondered why I decided to do a still life!
I had two choices: finish the painting, or give up because I would need to move the still life and viewfinder before I could paint something new. Since I was unwilling to give up so easily, I forced myself to sit back down the next night, and I had a wonderful time. I experimented with different ways to apply paint with different brushes. I tried to keep edges varied and be very conscious of light and shadow temperature. Because I had no specific expectations, I was able to play and, most importantly, learn!
~ Lisa